Rasagangadhara, Rasagaṅgādhara: 4 definitions
Introduction:
Rasagangadhara means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Rasagangadhara has 3 English definitions available.
Languages of India and abroad
Sanskrit dictionary
[Deutsch Wörterbuch]
Source: Cologne Digital Sanskrit Dictionaries: Sanskrit-Wörterbuch in kürzerer FassungRasagaṅgādhara (रसगङ्गाधर):—m. Nomen proprium eines Autors [Manuscripts (Guzerat) 3,54.] [Catalogue central provinces 102.]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Full-text: Rasagangadhariya, Peru bhatta lakshmikanta, Nageshabhatta, Yamunavarnana, Jnanendra bhikshu, Ratimanmatha, Vireshvara pandita, Vyaktiviveka, Anaṇa, Jagannatha panditaraja, Jagannatha, Upadhi, Vrittivarttika, Jagannathapandita, Karmana.
Relevant text
Search found 9 books and stories containing Rasagangadhara, Rasagaṅgādhara, Rasaganga-dhara, Rasagaṅgā-dhara; (plurals include: Rasagangadharas, Rasagaṅgādharas, dharas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Kuntaka’s evaluation of Sanskrit literature (by Nikitha. M)
Origin and development of Sanskrit poetics < [Introduction]
Kavyamimamsa of Rajasekhara (Study) (by Debabrata Barai)
Part 17 - Rasagaṅgādhara of Jagannātha < [Chapter 2 - A General Outlines of Sanskrit Poetics]
Part 3.12 - Rājaśekhara’s concepts on Nature of Kāvya (poetry) < [Chapter 5 - Analyasis and Interpretations of the Kāvyamīmāṃsā]
Introduction to Kāvyaśāstra and Alaṃkāraśāstra < [Chapter 3 - Contribution of Rājaśekhara to Sanskrit Poetics]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Vyabhicārī-bhāvas (Transitory States) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Abhyāsa: Psuedo-Suggestion < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Śānta Rasa (the quietistic sentiment) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Alamkaras mentioned by Vamana (by Pratim Bhattacharya)
26: Alaṃkāra-śāstra according to Jagannātha (17th Century) < [Chapter 2 - The concept of alaṃkāra in Sanskrit Poetics]
23: Alaṃkāra-śāstra according to Appayya Dīkṣita (16th Century) < [Chapter 2 - The concept of alaṃkāra in Sanskrit Poetics]
1-2: The number of Alaṃkāras (poetic figures) mentioned < [Chapter 5 - A Comparative study of the different alaṃkāras mentioned by Vāmana]
Harshacharita (socio-cultural Study) (by Mrs. Nandita Sarmah)
Part 1: Sanskrit Kāvya and its Divisions < [Chapter 1 - Introduction]
The backdrop of the Srikanthacarita and the Mankhakosa (by Dhrubajit Sarma)
Part 2 - Rasa or the sentiment < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]
Part 2b - Rasa (2): Śṛṅgāra or the sentiment of love < [Chapter III - Literary Assessment Of The Śrīkaṇṭhacarita]