Dhiroddhata, Dhīroddhata, Dhira-uddhata: 10 definitions
Introduction:
Dhiroddhata means something in Hinduism, Sanskrit, Hindi. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Dhiroddhata has 9 English definitions available.
Alternative spellings of this word include Dhiroddhat.
Languages of India and abroad
Sanskrit dictionary
[Deutsch Wörterbuch]
Source: Cologne Digital Sanskrit Dictionaries: Sanskrit-Wörterbuch in kürzerer FassungDhīroddhata (धीरोद्धत):—Adj. standhaft und dabei hochfahrend (ein Held) [Bhāratīyanāṭyaśāstra 34,4.5.] [Daśarūpa 2,5.] [Sāhityadarpaṇa 65.67.]
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Dhira, Uddhata.
Full-text: Pratinayaka, Nayaka, God, Dhiroddhat, Brahmin, Sage, Merchant, Anukulanayaka, King, Dhira.
Relevant text
Search found 13 books and stories containing Dhiroddhata, Dhīroddhata, Dhira-uddhata, Dhīra-uddhata; (plurals include: Dhiroddhatas, Dhīroddhatas, uddhatas). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 2.1.238 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 2.1.236 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 2.1.224 < [Part 1 - Ecstatic Excitants (vibhāva)]
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada Dāsa)
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
1.3. Elements of Drama (g): Characters < [Chapter 3 - Drama and Dance]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Dhanañjaya on the hero and other characters < [Introduction]
Difference between the Daśarūpaka and the Nāṭyaśāstra < [Introduction]
Part 7 - Characters in the Dūtavākya < [Chapter 5 - Vyāyoga (critical study)]
Annadatri-carita (study) (by Sarannya V.)
1. Dramatic aspects (b): Neta (Hero of the Drama) < [Chapter 4 - Dramatic Appraisal of Annadatri-carita]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Ārabhaṭī-vṛtti (fierce fights and outrageous deeds) < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Description of Nāṭaka < [Chapter 2 - Nature and Classification of Sanskrit Drama]
The Hero of the Dramatic Play < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]