Dhiralalita, Dhīralalita, Dhira-lalita, Dhīralalitā: 11 definitions
Introduction:
Dhiralalita means something in Hinduism, Sanskrit. If you want to know the exact meaning, history, etymology or English translation of this term then check out the descriptions on this page. Add your comment or reference to a book if you want to contribute to this summary article.
Dhiralalita has 9 English definitions available.
Languages of India and abroad
Sanskrit dictionary
[Deutsch Wörterbuch]
Source: Cologne Digital Sanskrit Dictionaries: Böhtlingk and Roth Grosses Petersburger WörterbuchDhīralalita (धीरललित):—(1. dhīra + la)
1) adj. standhaft aber dabei guter Dinge, Bez. einer Art von Helden: niścinto mṛduraniśaṃ kalāparo dhīralalitaḥ syāt [Sāhityadarpana 68.] —
2) subst. (im Ind. f. tā) Name eines Metrums (4 Mal ¯ ˘ ˘ ¯ ˘ ¯ ˘ ˘ ˘ ¯ ˘ ¯ ˘ ˘ ˘ ¯) [Colebrooke II, 162 (XI, 5).]
Source: Cologne Digital Sanskrit Dictionaries: Sanskrit-Wörterbuch in kürzerer FassungDhīralalita (धीरललित):——
1) Adj. standhaft und dabei von liebenswürdiger Einfalt (ein Held). —
2) f. ā ein best. Metrum.
Sanskrit, also spelled संस्कृतम् (saṃskṛtam), is an ancient language of India commonly seen as the grandmother of the Indo-European language family (even English!). Closely allied with Prakrit and Pali, Sanskrit is more exhaustive in both grammar and terms and has the most extensive collection of literature in the world, greatly surpassing its sister-languages Greek and Latin.
See also (Relevant definitions)
Partial matches: Lalita, Dhira.
Starts with: Dhiralalitanayaka.
Full-text: Nayaka, Kamakrida, Viralalita, Dhiralalita-nayaka, Nayakacatushtaya, Anukulanayaka, King, Dhira, Lalita.
Relevant text
Search found 12 books and stories containing Dhiralalita, Dhīralalita, Dhira-lalita, Dhīralalitā, Dhīra-lalita, Dhīra-lalitā; (plurals include: Dhiralalitas, Dhīralalitas, lalitas, Dhīralalitās, lalitās). You can also click to the full overview containing English textual excerpts. Below are direct links for the most relevant articles:
Vishnudharmottara Purana (Art and Architecture) (by Bhagyashree Sarma)
1.3. Elements of Drama (g): Characters < [Chapter 3 - Drama and Dance]
Bhakti-rasamrta-sindhu (by Śrīla Rūpa Gosvāmī)
Verse 2.1.230 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 2.1.232 < [Part 1 - Ecstatic Excitants (vibhāva)]
Verse 2.1.224 < [Part 1 - Ecstatic Excitants (vibhāva)]
Dramaturgy in the Venisamhara (by Debi Prasad Namasudra)
Description of Nāṭaka < [Chapter 2 - Nature and Classification of Sanskrit Drama]
The Usage of Language in a Drama < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
The Hero of the Dramatic Play < [Chapter 4 - Dramaturgy in Veṇīsaṃhāra]
Sahitya-kaumudi by Baladeva Vidyabhushana (by Gaurapada Dāsa)
Text 8.28 < [Chapter 8 - Literary Qualities]
Text 7.145 < [Chapter 7 - Literary Faults]
Text 7.121 < [Chapter 7 - Literary Faults]
Bhajana-Rahasya (by Srila Bhaktivinoda Thakura Mahasaya)
Text 34 < [Chapter 1 - Prathama-yāma-sādhana (Niśānta-bhajana–śraddhā)]
Text 23 < [Chapter 8 - Aṣṭama-yāma-sādhana (Rātri-līlā–prema-bhajana sambhoga)]
Text 26 < [Chapter 6 - Ṣaṣṭha-yāma-sādhana (Sāyaṃ-kālīya-bhajana–bhāva)]
Dasarupaka (critical study) (by Anuru Ranjan Mishra)
Dhanañjaya on the hero and other characters < [Introduction]
Difference between the Daśarūpaka and the Nāṭyaśāstra < [Introduction]
Summary Of The Daśarūpaka < [Introduction]